Concept/Directors/3D: Wissam Altroudi, Firas Ershead Tree Design: Luis BrancoStudio: Info Fillers Info from Ershead: “Attached is a style frames, a pitch for a new TV weather opener for Aljazeera Channel. Our goal was to create an easily associated with Aljazeera channel ID and spontaneously recognized by a viewer, keeping it smart - artistic - edgy - human centric. The concept was supposed to highlight different weather conditions in different locations. Therefore we have proposed and created multiple islands, connected by tree brunches(starting for a table designed by Luis Branco). In each scene, weather changes via different landscapes and human activities effected by weather (spring, summer, autumn and winter). We understand that this peace needs to fit within a serious news channel, challenge of this job is presenting very different treatment from classical weather idents.”
Zoom Info
Concept/Directors/3D: Wissam Altroudi, Firas Ershead Tree Design: Luis BrancoStudio: Info Fillers Info from Ershead: “Attached is a style frames, a pitch for a new TV weather opener for Aljazeera Channel. Our goal was to create an easily associated with Aljazeera channel ID and spontaneously recognized by a viewer, keeping it smart - artistic - edgy - human centric. The concept was supposed to highlight different weather conditions in different locations. Therefore we have proposed and created multiple islands, connected by tree brunches(starting for a table designed by Luis Branco). In each scene, weather changes via different landscapes and human activities effected by weather (spring, summer, autumn and winter). We understand that this peace needs to fit within a serious news channel, challenge of this job is presenting very different treatment from classical weather idents.”
Zoom Info
Concept/Directors/3D: Wissam Altroudi, Firas Ershead Tree Design: Luis BrancoStudio: Info Fillers Info from Ershead: “Attached is a style frames, a pitch for a new TV weather opener for Aljazeera Channel. Our goal was to create an easily associated with Aljazeera channel ID and spontaneously recognized by a viewer, keeping it smart - artistic - edgy - human centric. The concept was supposed to highlight different weather conditions in different locations. Therefore we have proposed and created multiple islands, connected by tree brunches(starting for a table designed by Luis Branco). In each scene, weather changes via different landscapes and human activities effected by weather (spring, summer, autumn and winter). We understand that this peace needs to fit within a serious news channel, challenge of this job is presenting very different treatment from classical weather idents.”
Zoom Info
Concept/Directors/3D: Wissam Altroudi, Firas Ershead Tree Design: Luis BrancoStudio: Info Fillers Info from Ershead: “Attached is a style frames, a pitch for a new TV weather opener for Aljazeera Channel. Our goal was to create an easily associated with Aljazeera channel ID and spontaneously recognized by a viewer, keeping it smart - artistic - edgy - human centric. The concept was supposed to highlight different weather conditions in different locations. Therefore we have proposed and created multiple islands, connected by tree brunches(starting for a table designed by Luis Branco). In each scene, weather changes via different landscapes and human activities effected by weather (spring, summer, autumn and winter). We understand that this peace needs to fit within a serious news channel, challenge of this job is presenting very different treatment from classical weather idents.”
Zoom Info

Concept/Directors/3D: Wissam Altroudi, Firas Ershead 
Tree Design: Luis Branco
Studio: Info Fillers

Info from Ershead: “Attached is a style frames, a pitch for a new TV weather opener for Aljazeera Channel. Our goal was to create an easily associated with Aljazeera channel ID and spontaneously recognized by a viewer, keeping it smart - artistic - edgy - human centric. The concept was supposed to highlight different weather conditions in different locations. Therefore we have proposed and created multiple islands, connected by tree brunches(starting for a table designed by Luis Branco). In each scene, weather changes via different landscapes and human activities effected by weather (spring, summer, autumn and winter). We understand that this peace needs to fit within a serious news channel, challenge of this job is presenting very different treatment from classical weather idents.”

Creative direction: Tavo PonceArt direction: Juanma Mota, Rafael Merino, Tavo PonceStudio: Toch Info from Toch: “Here you have our last play-and-lost work in the Pitch Game, Canal+’s Channel, specialized in the Champions League. Name of the channel: Canal+ HD Champions League, or in Spanish, ‘Canal+ HD Liga de Campeones’, sic. It was, from our view, well conceptualized (sports qualities related to materials, like Strength-Rock, Agility-Fibre, Grip-Rubber), and well connected to the Brand personality (all materials were flowing from the logotype, like a second skin).”
Zoom Info
Creative direction: Tavo PonceArt direction: Juanma Mota, Rafael Merino, Tavo PonceStudio: Toch Info from Toch: “Here you have our last play-and-lost work in the Pitch Game, Canal+’s Channel, specialized in the Champions League. Name of the channel: Canal+ HD Champions League, or in Spanish, ‘Canal+ HD Liga de Campeones’, sic. It was, from our view, well conceptualized (sports qualities related to materials, like Strength-Rock, Agility-Fibre, Grip-Rubber), and well connected to the Brand personality (all materials were flowing from the logotype, like a second skin).”
Zoom Info
Creative direction: Tavo PonceArt direction: Juanma Mota, Rafael Merino, Tavo PonceStudio: Toch Info from Toch: “Here you have our last play-and-lost work in the Pitch Game, Canal+’s Channel, specialized in the Champions League. Name of the channel: Canal+ HD Champions League, or in Spanish, ‘Canal+ HD Liga de Campeones’, sic. It was, from our view, well conceptualized (sports qualities related to materials, like Strength-Rock, Agility-Fibre, Grip-Rubber), and well connected to the Brand personality (all materials were flowing from the logotype, like a second skin).”
Zoom Info
Creative direction: Tavo PonceArt direction: Juanma Mota, Rafael Merino, Tavo PonceStudio: Toch Info from Toch: “Here you have our last play-and-lost work in the Pitch Game, Canal+’s Channel, specialized in the Champions League. Name of the channel: Canal+ HD Champions League, or in Spanish, ‘Canal+ HD Liga de Campeones’, sic. It was, from our view, well conceptualized (sports qualities related to materials, like Strength-Rock, Agility-Fibre, Grip-Rubber), and well connected to the Brand personality (all materials were flowing from the logotype, like a second skin).”
Zoom Info
Creative direction: Tavo PonceArt direction: Juanma Mota, Rafael Merino, Tavo PonceStudio: Toch Info from Toch: “Here you have our last play-and-lost work in the Pitch Game, Canal+’s Channel, specialized in the Champions League. Name of the channel: Canal+ HD Champions League, or in Spanish, ‘Canal+ HD Liga de Campeones’, sic. It was, from our view, well conceptualized (sports qualities related to materials, like Strength-Rock, Agility-Fibre, Grip-Rubber), and well connected to the Brand personality (all materials were flowing from the logotype, like a second skin).”
Zoom Info

Creative direction: Tavo Ponce
Art direction: Juanma Mota, Rafael Merino, Tavo Ponce
Studio: Toch

Info from Toch: “Here you have our last play-and-lost work in the Pitch Game, Canal+’s Channel, specialized in the Champions League. Name of the channel: Canal+ HD Champions League, or in Spanish, ‘Canal+ HD Liga de Campeones’, sic. It was, from our view, well conceptualized (sports qualities related to materials, like Strength-Rock, Agility-Fibre, Grip-Rubber), and well connected to the Brand personality (all materials were flowing from the logotype, like a second skin).”

Very cool news: the new COLLIDER Digital Production Conference launches June 9th -11th in New York, complete with job fair and master classes.  This is your chance to connect with top studios and talent from across the Animation, VFX and Design world in mid-town Manhattan for three days of problem-solving talks, hard-hitting panels, top-level networking and serious job hunting. Check the full rundown of COLLIDER speakers here. COLLIDER Super Early Bird rates end this Friday April 12th. Grab your ticket now and save before they sell out.  - CONFERENCE PASS - $219 when you buy before Friday ($279 starting Saturday) - JOB FAIR TICKET - $25 when you buy before Friday ($35 starting Saturday)   Visit www.colliderevents.com for the inside scoop on the conference and job fair, including our exciting list of speakers, panelists and master classes. GRAB YOUR TICKET before end of day on Friday to save.  See you in New York, June 9th-11th! 
Zoom Info
Very cool news: the new COLLIDER Digital Production Conference launches June 9th -11th in New York, complete with job fair and master classes.  This is your chance to connect with top studios and talent from across the Animation, VFX and Design world in mid-town Manhattan for three days of problem-solving talks, hard-hitting panels, top-level networking and serious job hunting. Check the full rundown of COLLIDER speakers here. COLLIDER Super Early Bird rates end this Friday April 12th. Grab your ticket now and save before they sell out.  - CONFERENCE PASS - $219 when you buy before Friday ($279 starting Saturday) - JOB FAIR TICKET - $25 when you buy before Friday ($35 starting Saturday)   Visit www.colliderevents.com for the inside scoop on the conference and job fair, including our exciting list of speakers, panelists and master classes. GRAB YOUR TICKET before end of day on Friday to save.  See you in New York, June 9th-11th! 
Zoom Info
Very cool news: the new COLLIDER Digital Production Conference launches June 9th -11th in New York, complete with job fair and master classes.  This is your chance to connect with top studios and talent from across the Animation, VFX and Design world in mid-town Manhattan for three days of problem-solving talks, hard-hitting panels, top-level networking and serious job hunting. Check the full rundown of COLLIDER speakers here. COLLIDER Super Early Bird rates end this Friday April 12th. Grab your ticket now and save before they sell out.  - CONFERENCE PASS - $219 when you buy before Friday ($279 starting Saturday) - JOB FAIR TICKET - $25 when you buy before Friday ($35 starting Saturday)   Visit www.colliderevents.com for the inside scoop on the conference and job fair, including our exciting list of speakers, panelists and master classes. GRAB YOUR TICKET before end of day on Friday to save.  See you in New York, June 9th-11th! 
Zoom Info

Very cool news: the new COLLIDER Digital Production Conference launches June 9th -11th in New York, complete with job fair and master classes. 

This is your chance to connect with top studios and talent from across the Animation, VFX and Design world in mid-town Manhattan for three days of problem-solving talks, hard-hitting panels, top-level networking and serious job hunting.

Check the full rundown of COLLIDER speakers here.

COLLIDER Super Early Bird rates end this Friday April 12th. Grab your ticket now and save before they sell out. 

- CONFERENCE PASS - $219 when you buy before Friday ($279 starting Saturday)
- JOB FAIR TICKET - $25 when you buy before Friday ($35 starting Saturday)  

Visit www.colliderevents.com for the inside scoop on the conference and job fair, including our exciting list of speakers, panelists and master classes.

GRAB YOUR TICKET before end of day on Friday to save. 

See you in New York, June 9th-11th! 

Artist: Byron Segundo Client: Chico Jofilsan, Gobosat Brasil Info from Segundo: “This pitch was about a paid Brazilian channel 100% focused on music: BIS Channel. All kind of music. So I tried to create some simple creatures using music related objects with organic behaviors. “Was a fun project. This concept was picked up a few hours before the meeting with the client. So the style framing process was really intense.”
Zoom Info
Artist: Byron Segundo Client: Chico Jofilsan, Gobosat Brasil Info from Segundo: “This pitch was about a paid Brazilian channel 100% focused on music: BIS Channel. All kind of music. So I tried to create some simple creatures using music related objects with organic behaviors. “Was a fun project. This concept was picked up a few hours before the meeting with the client. So the style framing process was really intense.”
Zoom Info
Artist: Byron Segundo Client: Chico Jofilsan, Gobosat Brasil Info from Segundo: “This pitch was about a paid Brazilian channel 100% focused on music: BIS Channel. All kind of music. So I tried to create some simple creatures using music related objects with organic behaviors. “Was a fun project. This concept was picked up a few hours before the meeting with the client. So the style framing process was really intense.”
Zoom Info

Artist: Byron Segundo
Client: Chico Jofilsan, Gobosat Brasil

Info from Segundo: “This pitch was about a paid Brazilian channel 100% focused on music: BIS Channel. All kind of music. So I tried to create some simple creatures using music related objects with organic behaviors.

“Was a fun project. This concept was picked up a few hours before the meeting with the client. So the style framing process was really intense.”

Studio: NERDO Design CollectiveArtists: Alessandro Durando, Daniele Gavatorta, Lorenzo LevreroArt Direction: Fabio Ardemagni, Lorenzo BanalInfo from NERDO: “As you may see, a lot of funny things happens: peeled banana typography and silly balloons, carrots chopped by a mad jedi chef, frozen logos and endless incredible machines. For your amusement only. “Unfortunately they didn’t make it, poor little things… But hey, they deserve a proper celebration, so there you go!”
Zoom Info
Studio: NERDO Design CollectiveArtists: Alessandro Durando, Daniele Gavatorta, Lorenzo LevreroArt Direction: Fabio Ardemagni, Lorenzo BanalInfo from NERDO: “As you may see, a lot of funny things happens: peeled banana typography and silly balloons, carrots chopped by a mad jedi chef, frozen logos and endless incredible machines. For your amusement only. “Unfortunately they didn’t make it, poor little things… But hey, they deserve a proper celebration, so there you go!”
Zoom Info
Studio: NERDO Design CollectiveArtists: Alessandro Durando, Daniele Gavatorta, Lorenzo LevreroArt Direction: Fabio Ardemagni, Lorenzo BanalInfo from NERDO: “As you may see, a lot of funny things happens: peeled banana typography and silly balloons, carrots chopped by a mad jedi chef, frozen logos and endless incredible machines. For your amusement only. “Unfortunately they didn’t make it, poor little things… But hey, they deserve a proper celebration, so there you go!”
Zoom Info
Studio: NERDO Design CollectiveArtists: Alessandro Durando, Daniele Gavatorta, Lorenzo LevreroArt Direction: Fabio Ardemagni, Lorenzo BanalInfo from NERDO: “As you may see, a lot of funny things happens: peeled banana typography and silly balloons, carrots chopped by a mad jedi chef, frozen logos and endless incredible machines. For your amusement only. “Unfortunately they didn’t make it, poor little things… But hey, they deserve a proper celebration, so there you go!”
Zoom Info
Studio: NERDO Design CollectiveArtists: Alessandro Durando, Daniele Gavatorta, Lorenzo LevreroArt Direction: Fabio Ardemagni, Lorenzo BanalInfo from NERDO: “As you may see, a lot of funny things happens: peeled banana typography and silly balloons, carrots chopped by a mad jedi chef, frozen logos and endless incredible machines. For your amusement only. “Unfortunately they didn’t make it, poor little things… But hey, they deserve a proper celebration, so there you go!”
Zoom Info
Studio: NERDO Design CollectiveArtists: Alessandro Durando, Daniele Gavatorta, Lorenzo LevreroArt Direction: Fabio Ardemagni, Lorenzo BanalInfo from NERDO: “As you may see, a lot of funny things happens: peeled banana typography and silly balloons, carrots chopped by a mad jedi chef, frozen logos and endless incredible machines. For your amusement only. “Unfortunately they didn’t make it, poor little things… But hey, they deserve a proper celebration, so there you go!”
Zoom Info

Studio: NERDO Design Collective
Artists: Alessandro Durando, Daniele Gavatorta, Lorenzo Levrero
Art Direction: Fabio Ardemagni, Lorenzo Banal

Info from NERDO: “As you may see, a lot of funny things happens: peeled banana typography and silly balloons, carrots chopped by a mad jedi chef, frozen logos and endless incredible machines. For your amusement only.

“Unfortunately they didn’t make it, poor little things… But hey, they deserve a proper celebration, so there you go!”

Info from “These boards attempt to depict the feeling of home that I receive when I walk into a Starbucks, get my special drink and sit in my favorite chair. I did not want to emphasize the ritzy ‘Coffee Culture’ that so many people associate with Starbucks; instead, I tried to demonstrate the level of comfort something we know and love can bring us.”
Zoom Info
Info from “These boards attempt to depict the feeling of home that I receive when I walk into a Starbucks, get my special drink and sit in my favorite chair. I did not want to emphasize the ritzy ‘Coffee Culture’ that so many people associate with Starbucks; instead, I tried to demonstrate the level of comfort something we know and love can bring us.”
Zoom Info
Info from “These boards attempt to depict the feeling of home that I receive when I walk into a Starbucks, get my special drink and sit in my favorite chair. I did not want to emphasize the ritzy ‘Coffee Culture’ that so many people associate with Starbucks; instead, I tried to demonstrate the level of comfort something we know and love can bring us.”
Zoom Info
Info from “These boards attempt to depict the feeling of home that I receive when I walk into a Starbucks, get my special drink and sit in my favorite chair. I did not want to emphasize the ritzy ‘Coffee Culture’ that so many people associate with Starbucks; instead, I tried to demonstrate the level of comfort something we know and love can bring us.”
Zoom Info
Info from “These boards attempt to depict the feeling of home that I receive when I walk into a Starbucks, get my special drink and sit in my favorite chair. I did not want to emphasize the ritzy ‘Coffee Culture’ that so many people associate with Starbucks; instead, I tried to demonstrate the level of comfort something we know and love can bring us.”
Zoom Info

Info from “These boards attempt to depict the feeling of home that I receive when I walk into a Starbucks, get my special drink and sit in my favorite chair. I did not want to emphasize the ritzy ‘Coffee Culture’ that so many people associate with Starbucks; instead, I tried to demonstrate the level of comfort something we know and love can bring us.”

Artist: Asavari KumarSchool: California Institute of the Arts Info from Kumar: “This project was not a real pitch and was done for a class assignment. We had to make concept boards for a 15 second animated sequence based on a word/words that we picked. “The words I chose to work with were happy and float and although my initial plan was to design characters based on those themes, i decided to find man-made and natural elements that had those physical and emotional qualities and constructed a world where all of them could fit together. “It was challenging to arrive upon a look that was simple but would be able to establish a believable dimensional space.”
Zoom Info
Artist: Asavari KumarSchool: California Institute of the Arts Info from Kumar: “This project was not a real pitch and was done for a class assignment. We had to make concept boards for a 15 second animated sequence based on a word/words that we picked. “The words I chose to work with were happy and float and although my initial plan was to design characters based on those themes, i decided to find man-made and natural elements that had those physical and emotional qualities and constructed a world where all of them could fit together. “It was challenging to arrive upon a look that was simple but would be able to establish a believable dimensional space.”
Zoom Info
Artist: Asavari KumarSchool: California Institute of the Arts Info from Kumar: “This project was not a real pitch and was done for a class assignment. We had to make concept boards for a 15 second animated sequence based on a word/words that we picked. “The words I chose to work with were happy and float and although my initial plan was to design characters based on those themes, i decided to find man-made and natural elements that had those physical and emotional qualities and constructed a world where all of them could fit together. “It was challenging to arrive upon a look that was simple but would be able to establish a believable dimensional space.”
Zoom Info

Artist: Asavari Kumar
School: California Institute of the Arts

Info from Kumar: “This project was not a real pitch and was done for a class assignment. We had to make concept boards for a 15 second animated sequence based on a word/words that we picked.

“The words I chose to work with were happy and float and although my initial plan was to design characters based on those themes, i decided to find man-made and natural elements that had those physical and emotional qualities and constructed a world where all of them could fit together.

“It was challenging to arrive upon a look that was simple but would be able to establish a believable dimensional space.”

Artist: Craig KirkmanStudio: Loopmedia Inc.Client: The Score Television Network Info from Loopmedia: “In 2012, Loopmedia created a pitch package for the requested brand re-design for The Score Television Network, a Canadian English-language cable television specialty channel providing primarily sports news, highlights, information and analysis programming along with live event sports coverage.” “Loop Creative Director, Craig Kirkham, developed the pitch package. He worked with cutting edge imagery that conveyed a sleek and modern style for the network. Working with live action footage as a base, Kirkham developed animated typography that is dynamic and explosive.” “Loop was very pleased with the end result of this pitch package. Although the job was not awarded, it has been a valuable reference piece for the studio.”
Zoom Info
Artist: Craig KirkmanStudio: Loopmedia Inc.Client: The Score Television Network Info from Loopmedia: “In 2012, Loopmedia created a pitch package for the requested brand re-design for The Score Television Network, a Canadian English-language cable television specialty channel providing primarily sports news, highlights, information and analysis programming along with live event sports coverage.” “Loop Creative Director, Craig Kirkham, developed the pitch package. He worked with cutting edge imagery that conveyed a sleek and modern style for the network. Working with live action footage as a base, Kirkham developed animated typography that is dynamic and explosive.” “Loop was very pleased with the end result of this pitch package. Although the job was not awarded, it has been a valuable reference piece for the studio.”
Zoom Info
Artist: Craig KirkmanStudio: Loopmedia Inc.Client: The Score Television Network Info from Loopmedia: “In 2012, Loopmedia created a pitch package for the requested brand re-design for The Score Television Network, a Canadian English-language cable television specialty channel providing primarily sports news, highlights, information and analysis programming along with live event sports coverage.” “Loop Creative Director, Craig Kirkham, developed the pitch package. He worked with cutting edge imagery that conveyed a sleek and modern style for the network. Working with live action footage as a base, Kirkham developed animated typography that is dynamic and explosive.” “Loop was very pleased with the end result of this pitch package. Although the job was not awarded, it has been a valuable reference piece for the studio.”
Zoom Info
Artist: Craig KirkmanStudio: Loopmedia Inc.Client: The Score Television Network Info from Loopmedia: “In 2012, Loopmedia created a pitch package for the requested brand re-design for The Score Television Network, a Canadian English-language cable television specialty channel providing primarily sports news, highlights, information and analysis programming along with live event sports coverage.” “Loop Creative Director, Craig Kirkham, developed the pitch package. He worked with cutting edge imagery that conveyed a sleek and modern style for the network. Working with live action footage as a base, Kirkham developed animated typography that is dynamic and explosive.” “Loop was very pleased with the end result of this pitch package. Although the job was not awarded, it has been a valuable reference piece for the studio.”
Zoom Info
Artist: Craig KirkmanStudio: Loopmedia Inc.Client: The Score Television Network Info from Loopmedia: “In 2012, Loopmedia created a pitch package for the requested brand re-design for The Score Television Network, a Canadian English-language cable television specialty channel providing primarily sports news, highlights, information and analysis programming along with live event sports coverage.” “Loop Creative Director, Craig Kirkham, developed the pitch package. He worked with cutting edge imagery that conveyed a sleek and modern style for the network. Working with live action footage as a base, Kirkham developed animated typography that is dynamic and explosive.” “Loop was very pleased with the end result of this pitch package. Although the job was not awarded, it has been a valuable reference piece for the studio.”
Zoom Info

Artist: Craig Kirkman
Studio: Loopmedia Inc.
Client: The Score Television Network

Info from Loopmedia: “In 2012, Loopmedia created a pitch package for the requested brand re-design for The Score Television Network, a Canadian English-language cable television specialty channel providing primarily sports news, highlights, information and analysis programming along with live event sports coverage.”

“Loop Creative Director, Craig Kirkham, developed the pitch package. He worked with cutting edge imagery that conveyed a sleek and modern style for the network. Working with live action footage as a base, Kirkham developed animated typography that is dynamic and explosive.”

“Loop was very pleased with the end result of this pitch package. Although the job was not awarded, it has been a valuable reference piece for the studio.”

Artist: Carlo De AgostiniAgency: CC-LABClient: SNOWBOMBING Info from De Agostini: “Snowbombing is a popular week-long winter sports and music festival held annually in the spring at the Austrian ski resort of Mayrhofen. The British Channel 4 featured a music series showing the highlights from Snowbombing 2011 including performances from Mark Ronson and Fatboy Slim. “I was asked by the agency to make an opening sequence that combined some live footage of the event and give them a more graphical look. I had only a day to make the style frames and choose the footage and 2 days for the final animation.”
Zoom Info
Artist: Carlo De AgostiniAgency: CC-LABClient: SNOWBOMBING Info from De Agostini: “Snowbombing is a popular week-long winter sports and music festival held annually in the spring at the Austrian ski resort of Mayrhofen. The British Channel 4 featured a music series showing the highlights from Snowbombing 2011 including performances from Mark Ronson and Fatboy Slim. “I was asked by the agency to make an opening sequence that combined some live footage of the event and give them a more graphical look. I had only a day to make the style frames and choose the footage and 2 days for the final animation.”
Zoom Info
Artist: Carlo De AgostiniAgency: CC-LABClient: SNOWBOMBING Info from De Agostini: “Snowbombing is a popular week-long winter sports and music festival held annually in the spring at the Austrian ski resort of Mayrhofen. The British Channel 4 featured a music series showing the highlights from Snowbombing 2011 including performances from Mark Ronson and Fatboy Slim. “I was asked by the agency to make an opening sequence that combined some live footage of the event and give them a more graphical look. I had only a day to make the style frames and choose the footage and 2 days for the final animation.”
Zoom Info
Artist: Carlo De AgostiniAgency: CC-LABClient: SNOWBOMBING Info from De Agostini: “Snowbombing is a popular week-long winter sports and music festival held annually in the spring at the Austrian ski resort of Mayrhofen. The British Channel 4 featured a music series showing the highlights from Snowbombing 2011 including performances from Mark Ronson and Fatboy Slim. “I was asked by the agency to make an opening sequence that combined some live footage of the event and give them a more graphical look. I had only a day to make the style frames and choose the footage and 2 days for the final animation.”
Zoom Info
Artist: Carlo De AgostiniAgency: CC-LABClient: SNOWBOMBING Info from De Agostini: “Snowbombing is a popular week-long winter sports and music festival held annually in the spring at the Austrian ski resort of Mayrhofen. The British Channel 4 featured a music series showing the highlights from Snowbombing 2011 including performances from Mark Ronson and Fatboy Slim. “I was asked by the agency to make an opening sequence that combined some live footage of the event and give them a more graphical look. I had only a day to make the style frames and choose the footage and 2 days for the final animation.”
Zoom Info

Artist: Carlo De Agostini
Agency: CC-LAB
Client: SNOWBOMBING

Info from De Agostini: “Snowbombing is a popular week-long winter sports and music festival held annually in the spring at the Austrian ski resort of Mayrhofen. The British Channel 4 featured a music series showing the highlights from Snowbombing 2011 including performances from Mark Ronson and Fatboy Slim.

“I was asked by the agency to make an opening sequence that combined some live footage of the event and give them a more graphical look. I had only a day to make the style frames and choose the footage and 2 days for the final animation.”

Artist: Chao Quan ChooClient: Nanyang Polytechnic “These sets of pitched frames was executed for my school as a part of the creative typography lesson. “Initially, the entire self initiated project is about exploring the forms, colors, lightings and shapes of these bioluminscence creatures Combining modern typography with these natural bodies of this creatures. “It was then driven to a main on opening titles for BBC knowledge, bioluminscence.”
Zoom Info
Artist: Chao Quan ChooClient: Nanyang Polytechnic “These sets of pitched frames was executed for my school as a part of the creative typography lesson. “Initially, the entire self initiated project is about exploring the forms, colors, lightings and shapes of these bioluminscence creatures Combining modern typography with these natural bodies of this creatures. “It was then driven to a main on opening titles for BBC knowledge, bioluminscence.”
Zoom Info
Artist: Chao Quan ChooClient: Nanyang Polytechnic “These sets of pitched frames was executed for my school as a part of the creative typography lesson. “Initially, the entire self initiated project is about exploring the forms, colors, lightings and shapes of these bioluminscence creatures Combining modern typography with these natural bodies of this creatures. “It was then driven to a main on opening titles for BBC knowledge, bioluminscence.”
Zoom Info

Artist: Chao Quan Choo
Client: Nanyang Polytechnic

“These sets of pitched frames was executed for my school as a part of the creative typography lesson.

“Initially, the entire self initiated project is about exploring the forms, colors, lightings and shapes of these bioluminscence creatures Combining modern typography with these natural bodies of this creatures.

“It was then driven to a main on opening titles for BBC knowledge, bioluminscence.”

Production/VFX: Neon Client: National GeographicInfo from Neon: “National Geographic came to us directly with their concept for this 45” promo. Both budget and timescale were extremely limited but as soon as we saw the boards, we knew we had to be involved. The idea was inspired by a shot in the Naudet brothers’ documentary, where a damaged piece of paper attaches itself to the camera lens, dust enveloping everything as the first tower fell. That piece of paper, originally a very mundane spreadsheet chart, was briefly immortalised, and became imbued with incredible significance. The concept revolved around examining that transition, following the journey of that piece of paper in reverse. “We worked very closely with National Geographic to realise the vision. A large part of the challenge was to create something that carried an emotional impact, whilst still being respectful and non-exploitative. To address this we made the focus deliberately and exclusively on the paper, and obscured faces where we could. Sound design played a large part too: we wanted it to be simple and raw. “From the start, we knew the spot would be carried by the visual effects. We went through a process of designing style frames, and multiple iterations of pre-vis, which also informed the shoot. We used a large variety of 3D and 2D techniques, which gives it quite a stylised, almost painterly, feel in places.“The spot went on to win multiple awards, including eleven Promax awards (UK, Europe and US), as well as four golds at the Kinsale Sharks.”
Zoom Info
Production/VFX: Neon Client: National GeographicInfo from Neon: “National Geographic came to us directly with their concept for this 45” promo. Both budget and timescale were extremely limited but as soon as we saw the boards, we knew we had to be involved. The idea was inspired by a shot in the Naudet brothers’ documentary, where a damaged piece of paper attaches itself to the camera lens, dust enveloping everything as the first tower fell. That piece of paper, originally a very mundane spreadsheet chart, was briefly immortalised, and became imbued with incredible significance. The concept revolved around examining that transition, following the journey of that piece of paper in reverse. “We worked very closely with National Geographic to realise the vision. A large part of the challenge was to create something that carried an emotional impact, whilst still being respectful and non-exploitative. To address this we made the focus deliberately and exclusively on the paper, and obscured faces where we could. Sound design played a large part too: we wanted it to be simple and raw. “From the start, we knew the spot would be carried by the visual effects. We went through a process of designing style frames, and multiple iterations of pre-vis, which also informed the shoot. We used a large variety of 3D and 2D techniques, which gives it quite a stylised, almost painterly, feel in places.“The spot went on to win multiple awards, including eleven Promax awards (UK, Europe and US), as well as four golds at the Kinsale Sharks.”
Zoom Info
Production/VFX: Neon Client: National GeographicInfo from Neon: “National Geographic came to us directly with their concept for this 45” promo. Both budget and timescale were extremely limited but as soon as we saw the boards, we knew we had to be involved. The idea was inspired by a shot in the Naudet brothers’ documentary, where a damaged piece of paper attaches itself to the camera lens, dust enveloping everything as the first tower fell. That piece of paper, originally a very mundane spreadsheet chart, was briefly immortalised, and became imbued with incredible significance. The concept revolved around examining that transition, following the journey of that piece of paper in reverse. “We worked very closely with National Geographic to realise the vision. A large part of the challenge was to create something that carried an emotional impact, whilst still being respectful and non-exploitative. To address this we made the focus deliberately and exclusively on the paper, and obscured faces where we could. Sound design played a large part too: we wanted it to be simple and raw. “From the start, we knew the spot would be carried by the visual effects. We went through a process of designing style frames, and multiple iterations of pre-vis, which also informed the shoot. We used a large variety of 3D and 2D techniques, which gives it quite a stylised, almost painterly, feel in places.“The spot went on to win multiple awards, including eleven Promax awards (UK, Europe and US), as well as four golds at the Kinsale Sharks.”
Zoom Info
Production/VFX: Neon Client: National GeographicInfo from Neon: “National Geographic came to us directly with their concept for this 45” promo. Both budget and timescale were extremely limited but as soon as we saw the boards, we knew we had to be involved. The idea was inspired by a shot in the Naudet brothers’ documentary, where a damaged piece of paper attaches itself to the camera lens, dust enveloping everything as the first tower fell. That piece of paper, originally a very mundane spreadsheet chart, was briefly immortalised, and became imbued with incredible significance. The concept revolved around examining that transition, following the journey of that piece of paper in reverse. “We worked very closely with National Geographic to realise the vision. A large part of the challenge was to create something that carried an emotional impact, whilst still being respectful and non-exploitative. To address this we made the focus deliberately and exclusively on the paper, and obscured faces where we could. Sound design played a large part too: we wanted it to be simple and raw. “From the start, we knew the spot would be carried by the visual effects. We went through a process of designing style frames, and multiple iterations of pre-vis, which also informed the shoot. We used a large variety of 3D and 2D techniques, which gives it quite a stylised, almost painterly, feel in places.“The spot went on to win multiple awards, including eleven Promax awards (UK, Europe and US), as well as four golds at the Kinsale Sharks.”
Zoom Info

Production/VFX: Neon
Client: National Geographic

Info from Neon: “National Geographic came to us directly with their concept for this 45” promo. Both budget and timescale were extremely limited but as soon as we saw the boards, we knew we had to be involved. The idea was inspired by a shot in the Naudet brothers’ documentary, where a damaged piece of paper attaches itself to the camera lens, dust enveloping everything as the first tower fell. That piece of paper, originally a very mundane spreadsheet chart, was briefly immortalised, and became imbued with incredible significance. The concept revolved around examining that transition, following the journey of that piece of paper in reverse.

“We worked very closely with National Geographic to realise the vision. A large part of the challenge was to create something that carried an emotional impact, whilst still being respectful and non-exploitative. To address this we made the focus deliberately and exclusively on the paper, and obscured faces where we could. Sound design played a large part too: we wanted it to be simple and raw.

“From the start, we knew the spot would be carried by the visual effects. We went through a process of designing style frames, and multiple iterations of pre-vis, which also informed the shoot. We used a large variety of 3D and 2D techniques, which gives it quite a stylised, almost painterly, feel in places.

“The spot went on to win multiple awards, including eleven Promax awards (UK, Europe and US), as well as four golds at the Kinsale Sharks.”

Artist: Artashes StamboltsyanStudio: TriadastudioClient: Shoghakat TV channel Info from Stamboltsyan: “These are style frames that I designed  for Shoghakat TV channel’s 2013 air season. Channel decided to radically refresh his look, and they selected this pitch as most appropriate to the core values of the channel. The pitch consists of four short stories. After challenging phase of live shooting and work with actors, we are in post production stage, and soon the new look of channel will be on air.” “I am working as a creative director/art director at Triadastudio, one of oldest studios of Armenia.”
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Artist: Artashes StamboltsyanStudio: TriadastudioClient: Shoghakat TV channel Info from Stamboltsyan: “These are style frames that I designed  for Shoghakat TV channel’s 2013 air season. Channel decided to radically refresh his look, and they selected this pitch as most appropriate to the core values of the channel. The pitch consists of four short stories. After challenging phase of live shooting and work with actors, we are in post production stage, and soon the new look of channel will be on air.” “I am working as a creative director/art director at Triadastudio, one of oldest studios of Armenia.”
Zoom Info
Artist: Artashes StamboltsyanStudio: TriadastudioClient: Shoghakat TV channel Info from Stamboltsyan: “These are style frames that I designed  for Shoghakat TV channel’s 2013 air season. Channel decided to radically refresh his look, and they selected this pitch as most appropriate to the core values of the channel. The pitch consists of four short stories. After challenging phase of live shooting and work with actors, we are in post production stage, and soon the new look of channel will be on air.” “I am working as a creative director/art director at Triadastudio, one of oldest studios of Armenia.”
Zoom Info
Artist: Artashes StamboltsyanStudio: TriadastudioClient: Shoghakat TV channel Info from Stamboltsyan: “These are style frames that I designed  for Shoghakat TV channel’s 2013 air season. Channel decided to radically refresh his look, and they selected this pitch as most appropriate to the core values of the channel. The pitch consists of four short stories. After challenging phase of live shooting and work with actors, we are in post production stage, and soon the new look of channel will be on air.” “I am working as a creative director/art director at Triadastudio, one of oldest studios of Armenia.”
Zoom Info
Artist: Artashes StamboltsyanStudio: TriadastudioClient: Shoghakat TV channel Info from Stamboltsyan: “These are style frames that I designed  for Shoghakat TV channel’s 2013 air season. Channel decided to radically refresh his look, and they selected this pitch as most appropriate to the core values of the channel. The pitch consists of four short stories. After challenging phase of live shooting and work with actors, we are in post production stage, and soon the new look of channel will be on air.” “I am working as a creative director/art director at Triadastudio, one of oldest studios of Armenia.”
Zoom Info
Artist: Artashes StamboltsyanStudio: TriadastudioClient: Shoghakat TV channel Info from Stamboltsyan: “These are style frames that I designed  for Shoghakat TV channel’s 2013 air season. Channel decided to radically refresh his look, and they selected this pitch as most appropriate to the core values of the channel. The pitch consists of four short stories. After challenging phase of live shooting and work with actors, we are in post production stage, and soon the new look of channel will be on air.” “I am working as a creative director/art director at Triadastudio, one of oldest studios of Armenia.”
Zoom Info
Artist: Artashes StamboltsyanStudio: TriadastudioClient: Shoghakat TV channel Info from Stamboltsyan: “These are style frames that I designed  for Shoghakat TV channel’s 2013 air season. Channel decided to radically refresh his look, and they selected this pitch as most appropriate to the core values of the channel. The pitch consists of four short stories. After challenging phase of live shooting and work with actors, we are in post production stage, and soon the new look of channel will be on air.” “I am working as a creative director/art director at Triadastudio, one of oldest studios of Armenia.”
Zoom Info

Artist: Artashes Stamboltsyan
Studio: Triadastudio
Client: Shoghakat TV channel

Info from Stamboltsyan: “These are style frames that I designed  for Shoghakat TV channel’s 2013 air season. Channel decided to radically refresh his look, and they selected this pitch as most appropriate to the core values of the channel. The pitch consists of four short stories. After challenging phase of live shooting and work with actors, we are in post production stage, and soon the new look of channel will be on air.”

“I am working as a creative director/art director at Triadastudio, one of oldest studios of Armenia.”

Artist: PingomotionClient: Studio Nitro Info from Pingomotion: “The guys from Studio Nitro asked me to create a new intro for studio reel. I design all those elements in Adobe Illustrator and anime the piece in After Effects. The inspiration for this art come from technological stuff like Tron and Japanese Anime, Neon Genesis Evangelion.”
Zoom Info
Artist: PingomotionClient: Studio Nitro Info from Pingomotion: “The guys from Studio Nitro asked me to create a new intro for studio reel. I design all those elements in Adobe Illustrator and anime the piece in After Effects. The inspiration for this art come from technological stuff like Tron and Japanese Anime, Neon Genesis Evangelion.”
Zoom Info
Artist: PingomotionClient: Studio Nitro Info from Pingomotion: “The guys from Studio Nitro asked me to create a new intro for studio reel. I design all those elements in Adobe Illustrator and anime the piece in After Effects. The inspiration for this art come from technological stuff like Tron and Japanese Anime, Neon Genesis Evangelion.”
Zoom Info
Artist: PingomotionClient: Studio Nitro Info from Pingomotion: “The guys from Studio Nitro asked me to create a new intro for studio reel. I design all those elements in Adobe Illustrator and anime the piece in After Effects. The inspiration for this art come from technological stuff like Tron and Japanese Anime, Neon Genesis Evangelion.”
Zoom Info
Artist: PingomotionClient: Studio Nitro Info from Pingomotion: “The guys from Studio Nitro asked me to create a new intro for studio reel. I design all those elements in Adobe Illustrator and anime the piece in After Effects. The inspiration for this art come from technological stuff like Tron and Japanese Anime, Neon Genesis Evangelion.”
Zoom Info

Artist: Pingomotion
Client: Studio Nitro

Info from Pingomotion: “The guys from Studio Nitro asked me to create a new intro for studio reel. I design all those elements in Adobe Illustrator and anime the piece in After Effects.

The inspiration for this art come from technological stuff like Tron and Japanese Anime, Neon Genesis Evangelion.”

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